A colorful allure matching the vibrance of colors with the life of spring time. 

Spring Maiden

 ‎ ‎Naija in Motion envisions a future where good transport system connects people, opportunities, and dreams. Lagos, Nigeria’s commercial heartbeat, stands at the forefront of this transformation through its new urban rail system. ‎ ‎The history of rail transport in Lagos dates back to 1983, during the administration of Lateef Jakande in the Second Republic, when the idea of a modern rail-based transit system was first conceived. Today, that vision has evolved into the Lagos Rail Mass Transit (LRMT). It consists of six major lines and one monorail route, designed to serve areas of high commuter demand across Lagos and even into Ogun State. ‎ ‎As one of the world’s fastest-growing megacities, with over 22 million residents and an annual growth rate of nearly 6%, Lagos urgently needs efficient mobility. The LRMT has a projected capacity of 750,000 passengers daily, expected to rise to 1.1 million when fully operational. ‎ ‎This system is more than infrastructure, it is a symbol of hope, progress, and connection. It sets the pace of development towards a Nigeria that embraces ultramodern transport systems, fostering economic growth and moving us closer to the future we imagine.

Naija in Motion 

In the quiet order of a classroom, young women stand in unison, their posture a portrait of discipline and shared purpose. This monochromatic image captures the profound narrative of education in Nigeria, a story of aspiration and the collective building of a future. Each student represents a silent promise, a testament to the power of learning to shape a nation.

The Morning Assembly

A lone traveller making her way through the endless sea of sand dunes.

A Way in the Wilderness

A better Nigeria, built on a stronger educational system

A vision of a New Nigeria

The yam farmer

Metropolitan expansion? 4

A photograph showing the waves and patterns that have been formed on the surface of the sand from wind over time.

Shapes & Patterns

The priest and the redlight Somewhere in Ibadan, this photograph plunges the viewer into a sanctuary,an underground rave scene saturated in a spiritual red light. This is a site of metamorphosis. Here, the PRIEST is captured in the very act of shedding his skin. He no longer hides; he is free, basking in the shimmering, baptismal glow that shields him from the prying eyes of the hunters. This is a moment of pure, unadulterated self-expression. He now performs only for himself. It is a profound act of reclaiming his identity, a powerful declaration of artistic sovereignty. He owes the society NOTHING.

The priest and the redlight

Taken at a beach in the Republic of Benin, this image represents my vision of Nigeria, and Africa as a whole. My vision of Africa is one that's united beyond colonial borders, rich in culture and material resources, and one that respects elders, thereby creating the opportunity for transgenerational collaboration. This is what I want for Nigeria, too, a Nigeria united beyond ethnic bigotry, and one that's a fertile ground for cultural and economic growth.

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